When I first placed my order for the 23mm lens, I thought it would become my secondary lens for travel photography when I needed something wider. I had the 35mm on the X-E4, but when I sold it and replaced it with the X-H2, I wanted at least one more lens. The 35mm was good, but I knew that when I travelled, I would like some choice, but at the same time, I didn’t want anything large.

Embarking on solo travel can be frightening to some. The idea of going somewhere alone, so far from home, can be an undertaking and a stress some may not want to undergo. It is a lot to consider, and for most, it’s not just about leaving home and enjoying a new destination; there are financial considerations and responsibilities, things that can’t be ignored or delayed.

I’ve always considered myself a frequent traveller and a travel photographer, though the term can be a bit misleading. I don’t make a living directly from the images. Still, those photographs, the ones I share on social media or here on my site, play a quiet but meaningful role in connecting people to my work, sparking conversations, and occasionally leading to income in unexpected ways.

Like any photography genre, you need to have a love and admiration for the subject type you are photographing. If you are captivated by your subjects, you can continue to grow towards creating images highlighting what makes them special. Being continually fascinated by something is the drive that keeps you learning it.

Since switching to Fujifilm as my primary camera, I’ve embraced a “less is more” approach. I’ve increasingly relied less on using RAW files and more on the quality of Fujifilm’s JPEG files to the point where I’ve seriously considered shooting JPEG-only during my travels. Fujifilm cameras produce exceptional JPEGs straight out of the camera.

There’s no shortage of articles, blog posts, and videos about changing camera systems; photographers selling everything and jumping to something new. Sometimes that kind of reset makes sense. A fresh system can be an effective (and occasionally expensive) way to reignite your creativity, break out of habits, and show you how other brands approach photography.

Fujifilm film simulation and recipes have become a popular tool for Fujifilm photographers seeking to experiment with various photographic looks. Getting started with film recipes can be confusing. There are multiple settings, some straightforward and others not. At first, it may not matter.

We are now three weeks into 2026, and looking back on my year, I have achieved goals I had set for myself. One of those goals was to read more, and as a result, I finished 30 books in 2025, almost double what I read in 2024. This year, I’m aiming for 45 books. In addition to my reading goal, I wanted to remain active in physical wellness through daily workouts and rowing sessions (I am nearing 100 total hours).

Gear is always a big topic among photographers. For newcomers, choosing the right camera can feel like a make‑or‑break decision. For those who’ve been shooting for years, gear tends to linger quietly in the background until a new release promises something revolutionary.

A Beginner’s Guide to Automotive Light Painting is finalized, and the eBook version will be released on Tuesday, January 20th. And the cost is only $18 CA! A print book is being considered; however, if I choose to produce a print version, it will take some time to prepare the files for physical book production. A physical book with production costs will cost more than the eBook.

It’s 2026, and a new year is upon us. So first, let me say, Happy New Year to all. I hope the year ahead for you is filled with all the great things you deserve, and that you reach your goals in everything you are working towards. As photographers, we have plans for our art and goals for our adventures.

It’s Christmas Day, and as 2025 comes to an end, it’s the perfect time to look back on your year of journeys, the memories you created and the photographs you made. I hope that your year was one of discovery, not only of new locations but of yourself. As my ideas and plans for travel in 2026 are now at the forefront, I look back at what still seems fresh.

I’ve been using light painting in my automotive photography for over 10 years now, and it’s still an exhilarating opportunity when presented. The process is an excellent option for automotive photographers to add to their repertoire, if they haven’t already, as it offers a very unique way to showcase vehicles and can be very enticing to clients.

The purpose of car photography is to showcase a vehicle in a way that best represents everything it offers. Location is key, as well as lighting. Both of those go hand in hand with your subject. When on location, finding a spectacular location at just the right time is immensely satisfying.

I’ve been shooting for many years, and early in my photography, I was constantly reminded of the importance of using the lowest ISO possible. And to be fair, back in the early 2000s, ISO was something I needed to consider. Many early DSLR cameras weren’t handling noise all that well, so the ceiling was pretty limited before it reached what I would consider “unusable”.