Like any photography genre, you need to have a love and admiration for the subject type you are photographing. If you are captivated by your subjects, you can continue to grow towards creating images highlighting what makes them special. Being continually fascinated by something is the drive that keeps you learning it.

Since switching to Fujifilm as my primary camera, I’ve embraced a “less is more” approach. I’ve increasingly relied less on using RAW files and more on the quality of Fujifilm’s JPEG files to the point where I’ve seriously considered shooting JPEG-only during my travels. Fujifilm cameras produce exceptional JPEGs straight out of the camera.

There’s no shortage of articles, blog posts, and videos about changing camera systems; photographers selling everything and jumping to something new. Sometimes that kind of reset makes sense. A fresh system can be an effective (and occasionally expensive) way to reignite your creativity, break out of habits, and show you how other brands approach photography.

Fujifilm film simulation and recipes have become a popular tool for Fujifilm photographers seeking to experiment with various photographic looks. Getting started with film recipes can be confusing. There are multiple settings, some straightforward and others not. At first, it may not matter.

We are now three weeks into 2026, and looking back on my year, I have achieved goals I had set for myself. One of those goals was to read more, and as a result, I finished 30 books in 2025, almost double what I read in 2024. This year, I’m aiming for 45 books. In addition to my reading goal, I wanted to remain active in physical wellness through daily workouts and rowing sessions (I am nearing 100 total hours).

Gear is always a big topic among photographers. For newcomers, choosing the right camera can feel like a make‑or‑break decision. For those who’ve been shooting for years, gear tends to linger quietly in the background until a new release promises something revolutionary.

A Beginner’s Guide to Automotive Light Painting is finalized, and the eBook version will be released on Tuesday, January 20th. And the cost is only $18 CA! A print book is being considered; however, if I choose to produce a print version, it will take some time to prepare the files for physical book production. A physical book with production costs will cost more than the eBook.

It’s 2026, and a new year is upon us. So first, let me say, Happy New Year to all. I hope the year ahead for you is filled with all the great things you deserve, and that you reach your goals in everything you are working towards. As photographers, we have plans for our art and goals for our adventures.

It’s Christmas Day, and as 2025 comes to an end, it’s the perfect time to look back on your year of journeys, the memories you created and the photographs you made. I hope that your year was one of discovery, not only of new locations but of yourself. As my ideas and plans for travel in 2026 are now at the forefront, I look back at what still seems fresh.

I’ve been using light painting in my automotive photography for over 10 years now, and it’s still an exhilarating opportunity when presented. The process is an excellent option for automotive photographers to add to their repertoire, if they haven’t already, as it offers a very unique way to showcase vehicles and can be very enticing to clients.

The purpose of car photography is to showcase a vehicle in a way that best represents everything it offers. Location is key, as well as lighting. Both of those go hand in hand with your subject. When on location, finding a spectacular location at just the right time is immensely satisfying.

I’ve been shooting for many years, and early in my photography, I was constantly reminded of the importance of using the lowest ISO possible. And to be fair, back in the early 2000s, ISO was something I needed to consider. Many early DSLR cameras weren’t handling noise all that well, so the ceiling was pretty limited before it reached what I would consider “unusable”.

As I look out of my home office window and see the first signs of snowfall on the ground, I realize that the long winter is ahead; it’s just getting started. For me, this is a challenging time to stay motivated with my photography. A significant factor for me is where I live.

It’s not very often I get the opportunity to photograph classic cars, and even more rare that I get an entire afternoon with two classic Ferraris. The automotive season for me was slim this year, with only a few photoshoots in 2025, and that’s fine. Even though the opportunities were minimal, I wasn’t pursuing automotive shoots myself.

In a city like Malaga, particularly Old Town, you are fortunate to encounter many narrow streets that create fascinating patterns of light and shadow throughout the day. Even midday, when the sun is high, awnings and building overhangs allow for intriguing compositions.