I’m wrapping up my time in Portugal. I’ve got one more full day here in Nazaré, then a final night in Lisbon before heading home. It somehow feels like I’ve been away for a month, in the best way. It’s been an incredible trip, but I’m ready to reset and settle back into home life.

Fujifilm’s DR400 setting is one of those features that quietly sits in the menu until you realize how beneficial it can be to your images. And then it can become an essential consideration in any Fujifilm recipe. Now, fortunately, the dynamic range of most Fujifilm cameras I have used has been great, sometimes exceptional.

Travel is amazing. It’s a chance to step into places you’ve never been and see things you may never see again. Each trip is a brief window to explore and pay attention in a way that’s hard to do at home. Even if you spend a month in one city, that’s still a tiny slice of your life, which is exactly what makes it feel so special and fragile.

When I first placed my order for the 23mm lens, I thought it would become my secondary lens for travel photography when I needed something wider. I had the 35mm on the X-E4, but when I sold it and replaced it with the X-H2, I wanted at least one more lens. The 35mm was good, but I knew that when I travelled, I would like some choice, but at the same time, I didn’t want anything large.

Gear is always a big topic among photographers. For newcomers, choosing the right camera can feel like a make‑or‑break decision. For those who’ve been shooting for years, gear tends to linger quietly in the background until a new release promises something revolutionary.

I’ve been shooting for many years, and early in my photography, I was constantly reminded of the importance of using the lowest ISO possible. And to be fair, back in the early 2000s, ISO was something I needed to consider. Many early DSLR cameras weren’t handling noise all that well, so the ceiling was pretty limited before it reached what I would consider “unusable”.

I’ve had the opportunity to travel regularly for some time now. I am very fortunate to have been able to do so. Over the years, through travel to many destinations, I believe my photography has improved. And that’s not just how the photos are presented, it’s the mentality I have going into these photographic situations.

Using custom film recipes on Fujifilm cameras is one of the most enticing reasons people seek out this brand. They can find a camera that suits their needs, as Fujifilm offers a wide range of diverse and fantastic options, and allows users to refine and create a look directly in-camera using film simulations and recipes.

I had the opportunity to explore and photograph Seville and Malaga during my recent travels in June. These two locations are two places I have been looking forward to visiting. Seville has been on my list for a few years now, and Malaga, with its proximity to Seville, was an easy decision to include on this trip.

As photographers, our cameras are usually not far away when we travel. They are in the camera bag and ready to go, or we can explore the city streets with the camera in hand. Travel photography is a fantastic combination of two things I love: travelling and taking photos. Once I have booked that next trip and the itinerary is ready, I can't help but get excited.

“You must be excited about your trip; it’s coming soon!” Next week, I’ll be on my way to Spain! And yes, I’m excited! I didn’t think that hit me until this past weekend. I partially believe this has crept up quietly because the weather has been unpleasant here. I thought it would be beautiful, sunny in June, and…well, summer. It isn’t. It isn’t at all! When I booked this trip in January, I felt it was so far away, and really, it was.

We have all been there: the desire to make photographs, but our attempts to create come up flat; our inspiration continues to decrease. This can happen anywhere and anytime, but it is increasingly frustrating when our inspiration is lacking while travelling. When we travel, everything in front of us is new and fresh, but every scenic view seems uninspired; every landmark captured a thousand times before seems like another generic take.